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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond in Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the team scored a global success with their cover of Gloria Jones' Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He subsequently founded the innovative techno group The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died calmly in his rest at his residence in London on October 22, just weeks after playing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

During that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of health issues.

"I ended up damage myself quite a bit," he commented in a recent interview. "I broke spinal bones in my spine and cracked about five ribs and fractured my arm."

Following contracting a lung infection and suffering from blood poisoning, he was put in an medically-induced sleep and stayed in hospital for half a year.

However, he had been in "a great place emotionally" over the summer, as he worked on a fresh record with Almond, titled Danceteria, which is scheduled for publication next year.

"He was concentrated and so happy with the latest project that we actually completed only a few days ago," said the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "an exceptionally talented musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Being in a duo with someone is distinct from joining a group, the connection is incredibly close," he added.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, together with his younger sister Susan, who was also adopted.

He met Almond at an art college in the late 70s, where they were both learning art. Inspired by a mutual passion of a music genre, they established Soft Cell the same year, and promptly recorded an EP.

Musical Partnership

The pair were an distinctive combination: Ball was the quiet technician, hunched over his synthesizer, while Almond was a flamboyant showman, all sparkle and eye-liner; but they achieved a unique musical alchemy.

Ball had cultivated a fascination with synthesizers after watching the band Kraftwerk appear on BBC science show Tomorrow's World, and started to marry dark electronica to the soaring melodies Almond was composing.

Tainted Love became the United Kingdom's second most popular song of the early 80s, selling millions of units worldwide. Together with successful tracks by other artists, contemporary bands and Ultravox, it helped paved the way for the synth-pop sound of the 1980s.

The track was also included on their first album, their initial LP, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were working on new material right up until Ball's passing

Career Highlights

Fame had its benefits. "I enjoyed being able to purchase my first home, having financial security and exploring, which might seem like a Miss World," Ball not long ago shared with a publication.

But it also presented challenges. "Sudden riches meant we could afford newfound drugs to relieve the boredom" of media interviews and television shows, Ball said.

"I know that's a common saying, but it's a truism for a valid cause, because it applies for so many bands."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to create a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before ending the group to concentrate on individual endeavors.

Almond went on to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a enduring collaboration.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, releasing the Top 40 album Cruelty Without Beauty.

After another hiatus, they reappeared in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on 30 September, that year.

However, they stayed active, recording their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the band's new album as a tribute to the NYC nightlife they visited while recording their first two albums.

He added that his period in medical care had shaped the band's sound.

"I experienced strange recollections when I was in and out of the hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a electronic representation of the noises in my mind from those days.
"Simultaneously, it's about the experiences we had in the 1980s."

The last versions were completed only days before Ball passed away. It is due for release in the spring of 2026.

MA
The writer

Madison Anderson

A creative writer passionate about city life, culture, and uncovering hidden gems in metropolitan areas.

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